Georg Baselitz at CFA, Basel

Since his artistic beginnings, Baselitz has concerned himself with his own person and physicality, in diverging degrees of abstraction and figuration. Notably, in recent years, the depictions of himself—sometimes alongside his wife, Elke—are influenced by the broader human experience of the body and its ephemeral nature. And yet, he has focused on no other aspect […]

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Julian Charrière at Galerie Tschudy , Zurich

Skies Heavy by Vanessa Boni.   Overlay, feminist art historian Lucy R. Lippard’s 1983 publication, excavates prehistoric stones, symbols, and their ritual significance. Lippard documents the reoccurrence of these objects in Land Art and Process Art, whose protagonists had sought to reconnect contemporary artistic practice—preoccupied as it was with conceptual approaches—to natural materials and their […]

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Mark Grotjahn at Karma, New York

Karma presents Skulls 2016–2023, the first exhibition of Mark Grotjahn’s Skull paintings, open from November 3 to December 20 at 188 and 172 East 2nd Street, New York. Perhaps it was inevitable that Grotjahn would arrive at the Skulls. After fifteen years of Face paintings and more than one hundred Mask sculptures, Grotjahn has stripped […]

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Stephen Bram at Anna Schwartz Gallery, Melbourne

For more than three decades, Stephen Bram has developed a body of work exploring the relationship between abstract painting and the representation of architectural space; Perspective Paintings 1987 – 2023 comprises works selected from this particular 35-year project. Geometric, abstract, and not overtly engaged with style, Bram’s Perspective Paintings pose vanishing points to reflect the […]

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Norbert Schwontkowski at CFA, Berlin

The papal vehicle used by the last Holy Father, Pope Benedict XVI, was a modified Mercedes-Benz M-Class with a 272-horsepower engine with an automatic transmission, featuring a cabin fitted with bulletproof plexiglass and armor-plated side panels. Leaning on the back of his popemobile, Norbert Schwontkowski’s pope in Die Dunkelheit, is taking a break from what seems to […]

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Daniel Turner at Kunsthalle Basel

Combustion. Incineration. Dissolution. Liquification. Dispersion. Daniel Turner’s art lies as much in what we commonly think of as the creative act as it does in well-calibrated destruction. His first such undoing occurred about fifteen years ago, when he set ablaze the entirety of his artistic output: a series of large-scale paintings made between 1999 and […]

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